Favorite artist (performance, visual, or literary)
Steven Brust, author of Jhereg, Five Hundred Years After, and The Sun, The Moon, and The Stars
About Me:
Technical writer, Help author, Overlord of a space opera e-zine, creative writer.
I like prog rock, space opera, film noir, racquetball, and the Green Bay Packers. I'm a huge fan of speculative fiction, and am a Christian who writes.
I think National Treasure Book of Secrets tried to do the same thing with their antag (Ed Harris' character), but the action got in the way of real character development, so it came across a bit shallow.
But I agree--like they say (whoever they are), the villian is the hero of his (or her) own story. I love writing in first person, but that is one of the things lost. The villian usually is a complete villian to the hero, who doesn't always see the villians' POV. Maybe someday I'll write a book (or short story) from the villians' POV in first person.
You know, I hadn't planned on seeing No Country for Old Men, but I've heard a couple of people rave about this, including a friend who I wouldn't have expected to. I'll have to put it on my list.
As far as the Compass--see, if we stop worrying about agenda-driven films that have agendas against us and instead worry about writing good stuff, we don't have to be so concerned about the stuff that isn't written well. Okay, that is the most horribly written sentence (I blame it on my cold), but you get my point.
Ah, yes, than I think I would lean more toward space opera than "pure sci-fi." I love Firefly, and I enjoy watching Enterprise (although I never could get into any of the other Star Treks) because of the character development.
Thanks.
And I just read your short story about "killing the old man." Tragic! It made me hurt for him.
Space opera is a subgenre of sci-fi that has nothing to do with music. As westerns were called 'horse operas,' and daytime television were called 'soap operas,' so romantic adventure sci-fi has come to be called 'space opera.'
From the Wikipedia:
http://en.wikipedia.org/wiki/Space_opera
Space opera is a subgenre of speculative fiction or science fiction that emphasizes romantic adventure, and larger-than-life characters often set against vast exotic futuristic settings with remotely plausible technology such as time travel and interstellar travel, complex alien civilizations and fictional depictions of the human future.
Think Star Wars and Firefly and you have a good idea what space opera is. The emphasis today is on characterization and action and snappy dialogue over detailed explanations of the science that drives things.
Layer Cake is one of my favorites. We own that movie, actually, and I don't buy many movies. There's another one made by the same group, oh, I can't remember the name of it. My memory--oy vey.
By the way, what's space opera? My undergrad is music, so I know opera, but I don't know space opera.
If that's where the story goes, I'm not afraid of following there, yes. I read sci-fi but I watch thrillers, especially film noir (just finished L4yer Cake today with a pre-Bond Daniel Craig - it was delicious). So as a Christian who writes, it is not surprising to me if my fancy looks to the stars, or if it goes down dark alleys where others might not want to follow.
I'm reminded of Raymond Chandler's description of the man who stands in the gap between light and dark, good and evil. He writes vividly of such a character in "The Simple Art of Murder":
In everything that can be called art there is a quality of redemption. It may be pure tragedy, if it is high tragedy, and it may be pity and irony, and it may be the raucous laughter of the strong man. But down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid. The detective in this kind of story must be such a man. He is the hero, he is everything. He must be a complete man and a common man and yet an unusual man. He must be, to use a rather weathered phrase, a man of honor, by instinct, by inevitability, without thought of it, and certainly without saying it. He must be the best man in his world and a good enough man for any world. I do not care much about his private life; he is neither a eunuch nor a satyr; I think he might seduce a duchess and I am quite sure he would not spoil a virgin; if he is a man of honor in one thing, he is that in all things. He is a relatively poor man, or he would not be a detective at all. He is a common man or he could not go among common people. He has a sense of character, or he would not know his job. He will take no man’s money dishonestly and no man’s insolence without a due and dispassionate revenge. He is a lonely man and his pride is that you will treat him as a proud man or be very sorry you ever saw him. He talks as the man of his age talks, that is, with rude wit, a lively sense of the grotesque, a disgust for sham, and a contempt for pettiness. The story is his adventure in search of a hidden truth, and it would be no adventure if it did not happen to a man fit for adventure. He has a range of awareness that startles you, but it belongs to him by right, because it belongs to the world he lives in.
If there were enough like him, I think the world would be a very safe place to live in, and yet not too dull to be worth living in.
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But I agree--like they say (whoever they are), the villian is the hero of his (or her) own story. I love writing in first person, but that is one of the things lost. The villian usually is a complete villian to the hero, who doesn't always see the villians' POV. Maybe someday I'll write a book (or short story) from the villians' POV in first person.
As far as the Compass--see, if we stop worrying about agenda-driven films that have agendas against us and instead worry about writing good stuff, we don't have to be so concerned about the stuff that isn't written well. Okay, that is the most horribly written sentence (I blame it on my cold), but you get my point.
Thanks.
And I just read your short story about "killing the old man." Tragic! It made me hurt for him.
From the Wikipedia:
http://en.wikipedia.org/wiki/Space_opera
Think Star Wars and Firefly and you have a good idea what space opera is. The emphasis today is on characterization and action and snappy dialogue over detailed explanations of the science that drives things.
By the way, what's space opera? My undergrad is music, so I know opera, but I don't know space opera.
I'm reminded of Raymond Chandler's description of the man who stands in the gap between light and dark, good and evil. He writes vividly of such a character in "The Simple Art of Murder":